“After over 5 years and many eviction scares it has finally happened… 3 people and a dog were inside when police attempted to chainsaw the door. They also had climbers going up to the roof conjuring up memories of the raid during the G20 in April. Police are blocking the entrance to all three roads leading to the social centre with vans and their bodies. They are handing out a piece of paper with a telephone number to call to get belongings out of the building.”
RampART (also variously known as rampART Social Centre, rampART creative centre and social space) was a squatted social centre in London’s East End, opened in May 2004 and (located at 15-17 Rampart Street, London E1 2LA). Originally squatted as a crash space for pople coming from outside London/from other countries to attend the 2004 European Social Forum events, the centre was established in a derelict building in Rampart Street which was previously used as an Islamic school for girls, then left empty for two years before being squatted along with the vacant houses in the block. The project was initiated by a mixture of artists, community groups and political activists. During the European Social Forum rampART accommodated over 50 European visitors as well as laying on free food and a range of entertainment, as well as hosting the Forum’s Home Education Forum and acted as homebase for the European Creative Forum and the Laboratory of Insurrectional Imagination.
According to one account of rampART’s founding:
“Every social event or project, has as many versions as people participating in it.
My own personal version of Rampart Social Centre would be that it was born, together with many other squats in 2004, out of the need to house hundreds of attendants to he European Social Forum and adjacent alternatives.
The meetings for the preparation of said forum did acknowledge the need, and the problem of accommodating such a big number of people in the most expensive city in the UK, probably Europe.
But the possibility of housing them in squats was mercilessly laughed at in the ESF meetings.
Regardless, tens of anarchist and otherwise active activists set on occupying as many empty building as possible, as big and stable as possible. All the buildings squatted as a result had been empty for a very long time, left to rot by owners and developers in their speculation activities, because usually the hard bare land was higher market value than a whole building, especially if “too many” repairs are needed and the planning permission for demolition and new development had been granted.
The ESF was a success, and thousands of attendees were accommodated in legitimate and lawful accommodation while only a few hundred stayed in squats like Rampart. But it remains regarded today as an unreported odyssey, that with practically no owner resources, a whole non-hierarchical organisation managed to create accommodation for so many people for over a week.
The media never knew, or reported about this; it only focused over the money than the then London mayor was spending in the events and accommodating ‘lefties’ from all over europe.
Same as speculation and what it does to buildings and communities does not get reported.
In London’s most ‘desirable’ areas, buildings are left empty for years, roofs smashed to accelerate their decay, some times squatters gain entry to highlight the madness of having empty buildings and, at the same time, homeless people. They delay the process for two weeks, two months… then get evicted and the owners can continue with the destruction and subsequent sale to other business for more profit because it is their property, and they can do what they please with it.
So squats do not usually stay squatted for very long. The most exciting squat I remember was in Aberdeen Road, in 2001. Friend called ##ohf6Kie## talked about it thus: “I am amazed it is still there running, after two months. We are most used to one week, two weeks. We were all over the moon when Stoke Newington lasted for three weeks. But two months!”
So, three weeks after the end of the ESF, many squats that had been opened for the accommodation of events and punters had been evicted. All but Rampart.
Rampart survived many years and provided space and resources for many good noble social causes, like rooms for meetings, rooms for computers, even a video editing suite, a pirate radio station, and a whole hacklab – a room full of computers, all gathered from dumps and repaired and put back into use for workshops on how to produce documents, books, radio programmes and news … donated or saved from landfills.
They were many years, thanks to a building that, had it not been for the free dedication of a few, admittedly very privileged people, who could afford and chose to dedicate themselves full time to a project that did not make them any money nor friends, instead of working in paid jobs, it would have rotten until falling down in the pursuit of capitalist profit by the owner, who would rather wait for speculation to give them good money rather than let people use it in a context of rampant homelessness. Now it is the home of groups like Bicicology, the hacklab and ours, migrant support.”
[Nicked from here]
Within its first year, the building had hosted over 100 cultural and political events – placing the rampART firmly on the activist map of London. At this point the Whitechapel area was home to the London Activist Resource Centre and a renaissance of sorts was occurring at the long-running Freedom anarchist Bookshop nearby; rampART grew into both a local network of activist spaces, as well as being linked to wider networks across London and beyond…
The building underwent transformation from the moment it was opened – a partition wall on the top floor was removed to create a space large enough for banner painting and the once empty building was soon bursting at the seams with furniture and equipment collected from the street.
The centre was run as an autonomous space by an open collective, and was open to all to use on the basis of equality for all. Projects were run on an entirely voluntary basis by the people involved, in a spirit of co-operation, solidarity and mutual aid.
rampART’s constitution stated that:
“The rampART is run collectively. Any one is free to get involved or make proposals relating to use of the space by come along to one of the weekly meetings which are held Mondays after 6pm. We attempt to make all major decisions relating use of the space by building a consensus, both out of a desire to avoid hierarchies and also in recognition that decisions are more likely to be carried out when decided by consensus.”
The space and the projects based there were funded day-to-day by donations given by the users, or by raising funds through benefit events such as gigs, cafés or film nights.
rampART was open for five and a half years, hosting meetings, screenings, performances, exhibitions and benefit gigs. During that period the building and resources evolved to adapt to the demands of its users.
An account of rampART written during its existence recounts some of the practical work done to reshape the space:
“With meetings, rehearsals, workshops, film screenings, benefit gigs and other performances, the space was quickly put to good use and evolved. PeaceNews volunteers created a wheelchair accessible toilet and a ramp that could be placed at the entrance and windows on the ground floor were bricked for sound proofing after the weekly samba band practice led to a noise abatement order.
Different layout were tried in the hall and modular stage created. The kitchen was rearranged to make it a more practical space and a permanent serving area built. Further work on these improvements were put on hold when the local authorities started correspondence about health and safety inspections. A series of risk assessments and visits from the fire brigade followed, then emergency lighting, smoke alarms, extinguishers and safety notices sprung up around the building. The biggest job was the construction of a new fire exit as previously there had been only one exit from the whole building.
The highly effective sound proofing was seriously compromised by the new fire exit and a second noise abatement order was recently served despite the best efforts of the collective and most of the event organisers. Most of the complaints, however, related not to music from the building but noise and nuisance generated from people in street during and after events and this has proved to be a much harder problem to solve than soundproofing.
Perhaps one of the biggest factors to shape the rampART has been it’s proximity to the London Action Resource Center (LARC) . There has been virtual no interest in office space at the rampART, with groups preferring the long term security offered by LARC. Groups have tended to prefer using LARC for regular meetings while larger one off meetings often end up at rampART along with benefit gigs and screenings. It’s strength as a gig venue has led to a bit of a party culture in terms of proposals, something that the collective is keen to keep in balance.
The need to keep noise off the street during events has led to work making the roof garden a more attractive place for people to go for a breath of fresh air or a cigarette. A covered area with seating has been built and railings set up around the edge but it remains to be seen whether this is a practical solution. Excessive noise from the roof is still likely to generate complaints and in the past, providing access to the roof during events has resulted in major damage to the tiled area of the roof when drunks have dislodged slates, creating leaks which have bought down the ceilings and destroyed equipment.
Attempting to encourage more events other than parties, the collective recently made the biggest changes to the building to date. Although there have been various large meetings and even weekend long gathering at the rampART (for example, the last few months has seen public meetings relating to DSEi and organising meetings and gatherings relating to both the No Border and Climate Camp), many people have commented that the rampART was too dark for such meetings. To address the problem walls on the first floor have now been removed to make a large, light and airy room about two thirds the size of the downstairs hall and good for meetings of up to 50 or 60 people.
The community served by the rampART has generally not been a local one, but a community of politically motivated people from around the capital and beyond. There have also been hundreds of guests from all over the world enjoying free crash space while attending events in London. For example, seventy Bolivians stayed earlier this summer.”
Some projects that ran from rampart included amateur theatre, art installations, acoustic concerts, weekly film nights including Indymedia London film festivals, eg the Caminos De Resistencia (Paths Of Resistance) and the Middle East Film Festival), poetry, photography exhibitions, political discussions and meetings, skill sharing and workshop including Samba, radio, juggling, banner making, computer skills training, screen printing…
Other resources included a Free shop, info library, media lab, wireless Internet, kitchen / café. rampART had a library of donated books, as well as a BookCrossing zone.
Other examples of what took place at rampART: the Clandestine Insurgent Rebel Clown Army held training sessions at the centre; and the UK No Border network held a gathering at rampART from 10 to 11 October 2009, 7 days before the eventual eviction.
“Regular users include the samba band, the radical theory reading group, the womens cafe, food not bombs and the cinema collective. The 24/7 rampART radio stream that started with coverage of the European Social Forum has expired a long time ago, resurrected occasionally for live coverage of major mobilisation like the G8 or DSEi. Other radio collectives now use the space to broadcast their weekly live shows – Wireless FM which came from St Agnes Place and Dissident Island Disks.”
In November 2007 property developers planned to partially demolish the squatted houses next to the social centre and build three new properties at the back. rampART itself was under no immediate threat and regular activities continued as normal; however in December 2007 the centre received eviction papers. The date for eviction was set at 3 January 2008.
The day after the April 2009 G-20 London summit protests, which had seen the death of Ian Tomlinson, the rampART squat was raided by a large force of police, (240 according to one account) who pushed the occupants about, pointed tasers at people., and made a couple of arrests. [here’s an account of the raids there and at other centres the day after the G20.
Despite the December 2007 possession order, the centre survived a year and a half, before finally evicted at 5:30am, October 15th, by 45 police, bailiffs and a priest(?!) chainsaw was used to enter the building. Climbers broke in through the roof, and a chainsaw was used to cut in downstairs.
After the eviction, the collective, still named “the rampART collective”, stayed together and temporarily moved to a new space in Walworth, South London where they continued to hold weekly meetings.
A rampART statement after the eviction:
“Priests and Chainsaws Revisited
At 5am on Thursday, 15th October, 2009, the rampART Creative Centre and Social Space was evicted by 45 police with chainsaws and, remarkably, a Church of England vicar. Three people and a dog were inside.
The eviction marks the end of nearly five and a half years of occupation, during which rampART has served as a landmark for the social centres movement in London and a venue for a diverse range of events including political meetings, workshops, info cafes, fundraising parties and the London Freeschool.
The eviction, significantly, happened on the same day that Non Commercial House, a freeshop operating out of a building in nearby Commercial Street, lost their case against eviction and a week after the collective occupying 2a Belgrade Road in Stoke Newington successfully defended the space from eviction by council bailiffs.
This may be a coincidence, but with the London Olympics less than three years away and in a time of crisis for a city that depends on financial services and tourism, it isn’t difficult to come to the conclusion that squatted properties are being targeted in a concerted scouring of the city, setting an example so others dare not even try.
Social centres are important and not only because they provide space for political organising, D-I-Y culture and free education outside of the institutional constraints that are increasingly limiting free expression and the development of cultural alternatives. Squatting draws attention both to the dimensions of homelessness in one of the world’s richest cities, and the consequences of rampant property speculation (in 2008, there were 100, 000 empty homes in London). It also draws attention to the lack of facilities where people with a diversity of interests can meet and socialise without paying
exorbitant prices and contributing to capitalist expansion, or fitting into paternalistic, box-ticking government agendas. More importantly perhaps, the occupation of commercial and government owned premises blocks the flow of capital which homogenises cities and their populations.
The free spaces of the city are increasingly few and increasingly under siege. This is why it is vital that we continue to organise and exploit the empty properties which the current recession has made available. rampART was sited in a part of London which has witnessed a history of struggle for autonomous expression and the rights of workers and exploited minorities. At a time when global capitalist expansion and the rise of neo-liberal ideology has destroyed the lives of many peoples around the world, it is essential that that struggle continues.
rampART was not just a building but a convergence of committed individuals and groups willing to give their time and energy to creatively demonstrating that it is possible to effect change. That energy has not dissipated. We will not be beaten. rampART is dead. Long live rampART.”
Something of rampART can still be seen at their old website
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